![]() Hitchcock considered this his first proper film. ![]() He’s still clearly getting some stuff worked out, but there are flashes of brilliance: the shot of Ivor Novello pacing back and forth shot through a glass ceiling jumps to mind, as does the decision not to let the audience know whether or not our main character is a murderer for almost the entire film. It’s like calling Evil Dead 2 “Dead by Dawn”: if you encounter anyone who does it, run. Technically this is called The Lodger: A Story of the London Fog, but that’s dumb. A “minor” work that indicates why it is that Hitch is one of the best there ever was. This isn’t a big swing for the fences in the slightest, it feels like it was basically designed to occupy this exact spot on a list like this. It’s a fun if forgettable watch- everyone is clearly having fun making it, and as a result it gains a laid-back vibe that separates it from most Hitchcock work while remaining firmly within his universe. To Catch a Thief, Hitchcock’s final collaboration with Grace Kelly, isn’t much of a substantial film, but it’s a light and breezy effort that basically serves as a vehicle for cinematographer Robert Burks and costume designer Edith Head, allowing them both to luxuriate in the film’s European vistas and beaches. 16- To Catch a Thief (1955)Įverything from here on out is at least pretty good, which is really a remarkable track record. Jackson explaining how flammable the film is features a clip of a child being refused entry to a bus because he’s carrying film), it’s not exactly major. It’s only 77 minutes, which makes it a perfectly palatable completionist watch, and that central sequence alone makes it worth your while, but when the greatest legacy of a Hitchcock film is an excerpt from it making an appearance in Inglourious Basterds (the voiceover with Samuel L. It’s extra remarkable against the background of the exceptionally bland rest of the film, which concerns a woman whose husband is, unbeknownst to her, a member of a terrorist group. The film’s climactic sequence, in which a child unknowingly transports a ticking bomb, is a signature Hitchcock suspense scene. There’s nothing remotely special about this movie for the majority of its runtime, with one notable exception. It’s not that Sabotage is “bad” so much as it is deeply, deeply middling. Not to be confused with 1942’s Saboteur, which, by all accounts, is far better. Crucial blindspots remain, such as The Lady Vanishes, Frenzy, and both versions of The Man Who Knew Too Much, but 17 is still a lot of movies, so prepare for a long post. Keeping in mind the breadth of that resume, ranking a selection of 17 of his films feels somewhat foolish. However, unlike those other 2, I’ve only scratched the surface of Hitch’s massive catalogue: he completed 55 feature films in his career, spanning across six decades, two countries, and both the silent and sound eras. ![]() I mean who else is so instantly recognizable based just on their silhouette? I, personally, have seen 17 Hitchcock movies, which ties Martin Scorsese for the most of any director, 2 ahead of runner-up John Carpenter. The films he’s made have endured and stood the test of time, and the presence in cinematic history of the man himself is unparalleled. For more, go to the show on Twitter can also follow Tab and Jacob us via email at or use the Contact form.You could argue that there’s no more iconic director than Alfred Hitchcock. Miller, from TCM" Vertigo (1958)" by Brian Cady, from TCMShow Info:Test Pattern is originally broadcast on 103.5 FM WLSPLP Sun Prairie, Wisconsin, underwritten by the Bank of Sun Prairie.Music for Test Pattern is “Dance of Deception” by Kevin McLeod and is licensed under Creative Commons. Miller, from TCM" Behind the Camera on Vertigo" by John M. Miller, from TCM" The Big Idea Behind Vertigo" by John M. Miller and Brian Cady, from TCM" Pop Culture 101 - Vertigo" by John M. " Shadow of a Doubt" by Brian Eggert, from Deep Focus Review" Shadow of a Doubt (1943)" by Jeremy Arnold, from TCM Hitchcock on Hitchcock: Selected Writings and Interviews edited by Sidney Gottlieb Alfred Hitchcock: A Life of Darkness and Light by Patrick McGilligan" The Top 21 British Directors of All Time" from The Telegraph Shadow of a Doubt (1943 ) For our first installment of Hallowed Halls, we look at the Master of Suspense, Alfred Hitchcock!Sources
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